How does Friiel use language and stagecraft Essay

Friels main concern, writing in the 1980s, seems to be the agitate for individuality. single interpretation of the persist is that Irish identity has been continually threatened since 1591. Friel writes his scat in 1988 whilst living through Irish civil unrest during the troubles of blue island. By setting making history in 1951, friel is addressing time duad and the struggle for identity that he may feel began with the incline/Irish power struggle. The book centres on Hugh ONeil, who is the Earl of Tyrone and at the start of the draw is 41 years old. He is described as a private, shrill minded man, and he is a heartfelt main instance beca social function he is an interesting person who has a lot of conflict in his life.Hugh ONeil changing his accent from English/Irish to Tyrone, is a good use of a wordsas he always speaks in an upper-class English accent accept on the occasions specifically scripted. The Tyrone accent normally happens when he is angry about something. Just to show him I oasist reverted completely to type- would that be it, Friel choosing to use this type of lanuguage shows that ONeil is mutinous and is proud of his irish identity.The arguement between bloody shame and mabel in the garden shows how Mabels identity and alliegience has changed from English by Irish. This is shown when the two are discussing farming and is asked about the orchards and says No, WE havent. This use of language shows she conisders herself art object of the irish identity. The use of stage chicane in this scene shoes the intensity of Mary and M ables conversation speaks with concern and heat energy. This further highlights the conflict between the English and and Irish and the struggle for Mary to accept Mabels new identity.Mabel and the babys death is a signifficant orchestrate in the play as it is a fiction for the inabiliity of England and ireland being able to Co-exist peacefully, as the baby would have had both enlgish and irish blood in hi m.The timeline from when the audience is first inroduced to hugh and then at the end of the play is a signifficant contrast and change to his identity. The stagecraft used shows this as he is described as being volatile and bitter compared to the beginging of the play when he is described as uncharacteristically outgoing and talkative.Friel and lomabrd are both trying to construct history, Friel with the play he wrote and lombard with his Biography of Hugh Oniels life. Lmbard tries to make Hugh appear to be a hero but this displeases hugh as he feels it is not his true identity. i dont trust you. i dont trust you to tell the truth.Each part of the play highlilghts how brian friel has shown the struggle for identity through the use of language and stagecraft. The main use of language that friel has used to convey identity through language is the description of the characters and how each has struggled with thier identity. Potraying the characters in this way is a clever metaphor for the struggles ireland itself has had to go through to keep its identity. The clever use of stage craft and lighting symbolises the struggles ireland have continually faced throughout history.The way Friel describes hugh Oniel in later life, with his declining health and along with Mabel and the babys death, symbolises ireland loosing the struggle with england. The use of stage craft at the end of the play where it says ONeil is now crying. Bring down lights slowly. is an effective end to the play as it symbolises the end of the struggle between ireland and england.